Fifth Annual One-Act Play Festival
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by John Kelly
A new substitute teacher and her mass communications class must deal with a school lockdown.
Director: Blake Walton
Cilla — Gabriella Sands
Josh — Robert Heath
Vicki — Madeline Holdway
Sam — Aleah Colón-Alfonso
Zeke — Ren Pearson
Ms. Taylor — Lucinda Schlotterback
Gabriella Sands (Cilla) is so happy to be doing her first play with Theatre Odyssey! A New York native, she moved to Sarasota two years ago with her mother and grandmother, and has had the honor working with Tree Fort Productions for a little over a year—where she first worked with director Blake Walton as a stage manager on the play Mann’s Last Dance. She is excited to be part of this wonderful community of theatre creatives and wishes the cast and crew the best!
Robert Heath (Josh) is so excited to be part of Theatre Odyssey’s One-Act Festival this year. He is a senior in the VPA Theatre Program at Booker High School, where he has played characters such as Paris in Romeo and Juliet, Charles in Blithe Spirit, and Simon Stimson in Our Town. He also played Ram’s Dad in Heathers the Musical at Fed’s Backyard Theater. Outside of acting, he has written straight plays including Victoria & Steve and Like Someone In Love, the latter of which he worked with the wonderful Blake Walton. He is eager to take on this compelling piece by Mr John Kelly and would like to give many thanks to his family and friends for their support and this delightful cast and crew!
Madeline Holdway (Vicki) is thrilled to be a part of Theater Odyssey this year! She is a senior in the VPA Theatre program at Booker High School. Her recent credits include Godspell (Lindsay), The Birds (Hawk), and Legally Blonde (Judge). This December, she will also appear as Lisa in Mamma Mia! In addition to performing, Maddie is a playwright. Her full-length original play, The Common Ground, recently premiered at the International Tampa Fringe Festival. After graduation, she plans to pursue a B.F.A. in Musical Theatre. She would like to thank her family, friends, and mentors for their continuous support!
Aleah Colón-Alfonso (Stacy) is a student of the arts with a passion for science. She holds degrees in Biological Psychology, Neuroscience, and Theatre, and has been performing locally while preparing for graduate studies. Her love for the arts has taken her from Off-Broadway cabarets to musical performances on a moving trolley. Recent stage credits include Henriette in The Learned Ladies (Venice Theatre), Lucy in Happy Dale (The Sarasota Players), and Jenny in The Torch Bearers (Venice Theatre). When she’s not on stage you can find her whipping up custom cookies and cakes for AleahBakes.com
Ren Pearson (Zeke) is a graduate from Ringling College with a BFA in directing for film. He has been involved both onstage and off the stage with Theatre Odyssey for many shows and hopes for many more to come. He is also the Artistic Director for the radio theatre project known as Gothic Library Productions, produced in association with Theatre Odyssey. He would like to thank his cats and his wonderful partner Sarah for her patience and support.
Lucinda Schlotterback (Mrs. Taylor) teaches is honored to be a part of bringing these brilliant words to life. She is appreciative to Theater Odyssey for yet another opportunity to stretch her creative wings. During the day, she teaches freshman and sophomore Applied Engineering at Suncoast Polytechnical High School. Most recently seen in Steel Magnolias as Ouiser, she has had the great fortune to play some amazing characters such as Chelsea (On Golden Pond), Roz (Moon Over Buffalo), Bev/Kathy (Clybourne Park), Alex Mialdo (Miracle on 34th Street Radio Show) and Annie (Calendar Girls). Thank you to Blake for this opportunity and for the cast and crew for their talent and hard work.
Blake Walton (director) is an award-winning actor, director, playwright, teaching artist, and acting coach for the past 45 years. Most recently he directed the premiere of The Common Ground at the Tampa Fringe Festival. For Theatre Odyssey he has been an adjudicator and has directed 10-minute student plays: Bloodline and Fermata (2021 Best Play Runner-Up); The Unspoken Problem and The Real World (2022 Best Play Winner); The Game of Gifts (2023 Best Play runner-up) and The Deadline; also What Are You Looking At? for Theater Odyssey’s 2022 One Act Play Festival. Also in Sarasota: Shakespeare’s Lovers, Mann’s Last Dance, Rhapsody for Golda, Marvin’s Room, Jest A Second, Singin’ In The Rain, 42nd Street, Big River, Babes In Arms, and You’re A Good Man Charlie Brown. New York: Heather Massie in Hedy! The Life and Inventions of Hedy Lamarr; Ann Morrison in Linda Lovely Goes to Broadway and Word Painting: Soliloquies Around an Easel, In The Moment, The XXX Scholar, Shangri-La, The misAdventures of Wendell Burke and his play The Better Man (The Chain and Roy Arias). Chicago: Out Of My Mind and The Charm (both at The Theater Building). Proud member of AEA, The Dramatists’ Guild, and The United Solo Academy. Co-founder and Managing Director of SaraSolo Productions. www.blakewalton.info.
John J. Kelly (playwright), an emeritus professor of theatre from Elmira College in New York, is a playwright whose works have been published, anthologized, and performed by theatres across the country and around the world. Since returning to Florida several years ago, dozens of short plays and several of his full-length works have their way to the stage. John is a member of the Dramatists’ Guild.
by Holly Hepp-Galván
Grandma Geraldine wakes up to find a hand is missing—and soon other parts of her also disappear. In a very busy household, it’s up to her granddaughter to show what Geraldine can still give to her family.
Director: Lee Gundersheimer
Geraldine — Karen Kelly
Denise — Jill Schroeder
John — Charlie Agurcia
Lexi —Ruby Daines
Dr Finkelstein — James Kassees
Karen Kelly (Geraldine) has appeared as Dottie in David Lindsey-Abaire’s Good People (Venice Theater, 2019); Mrs. Brummet in Arlene Hutton’s Gulf View Drive (Venice Theater, 2020); Kate in Joe DiPietro’s Art of Murder (Lemon Bay Playhouse, 2023); Mrs. Pampanelli in George Kelly’s Torch-Bearers (Venice Theater, 2024), and Cecily Pigeon in Neil Simon’s The Odd Couple (Lemon Bay Playhouse, 2025). She has also performed in staged readings at the Sarasota Players New Play Festival. When she is not acting, Karen is a full-time writer. You can learn more about her at karenkellythewriter.com. She is thrilled to bring Geraldine to life and to be part of an amazing cast.
Jill Schroeder (Denise) started her career in Minneapolis and has worked throughout the Midwest. Locally, you may have recently seen her as Myra Marlowe in A Bad Year For Tomatoes at Lemon Bay Playhouse, Karis in Parallel Lives at The Studio@620, or Gert Kurnitz in Sarasota Jewish Theatre’s Lost in Yonkers. New works are a passion and Jill is thrilled and grateful to be back onstage with Theatre Odyssey!
Charlie Agurcia (John) is an experienced actor with a growing presence in Florida’s theater scene. He has played roles such as Biff Loman in Death of a Salesman at the Manatee Performing Arts Center, Caleb in The Spitfire Grill at Venice Theatre, and various characters in Miracle on 34th Street a Live Musical Radio Play at The Players Centre. This is Charlie’s third Theater Odyssey Festival, and each one keeps getting better.
Ruby Daines (Lexi) is an award-winning actor and Delta Psi Omega member. Ruby has been performing with Theatre Odyssey for a year, acting in the ten-minute plays Stay Wild, Moon Child (Young Adult), The Gift (Genevieve), and Outcasts and Rebels (Cassie). Ruby also played in the State College of Florida’s productions of They Promised Her the Moon (Jerrie Cobb), Almost, Maine (Gayle/Deena), and One Slight Hitch (P.B. Coleman). Ruby’s film credits include Killer Grannies (Juror), Egg (Bryce), and Maya (Maya). She will be playing Angela in Tree Fort Productions’ performance of Althea & Angela next spring. Ruby is also a writer whose play, The Sinking of S.S. Wilmington, was recently presented at SCF’s ten-minute play festival. Ruby is currently a junior at New College of Florida. View her website at www.rubydaines.com.
James Kassees (Dr Finklestein) is delighted to return to Theatre Odyssey’s One-Act Play Festival. With more than 45 years of experience, James has worked as an actor, director, writer, and improviser, and takes great joy in coaching fellow actors. He has appeared in several Theatre Odyssey productions, including as Richard Nixon in Arthur Keyser’s In Whom We Trust, and directed a student ten-minute play in 2024. James’s other credits include two summer staged readings with Florida Studio Theatre, an understudy role with Asolo Rep, and multiple staged readings with Theatre of the Mind. He has also appeared in staged readings and full productions with Sarasota Jewish Theatre (SJT). James just finished a run in SJT’s The Last Request of Eddie Carmichael/Cohen and will appear in Tree Fort Productions’ Althea and Angela in March 2026. Love always to Barb.
Lee Gundersheimer (director) is a multi-faceted theater artist. He built and ran two theater spaces in NYC, directed over 75 plays, worked and performed in countless theaters in NYC and around the country, and has taught acting, playwriting, and directing in five universities. Locally he has worked at TreeFort, the Hat, Manatee Performing Arts Center, Theatre Odyssey, The Mark Twain Society, and Sarasota Jewish Theater.
Holly Hepp-Galván (playwright) is a playwright, book writer and lyricist. Her plays and musicals have been presented at Lincoln Center, New York Performing Arts Library, Project Y Theatre Company, New Perspectives Theatre Company, Core Artist Ensemble, New Circle Theatre Company, The Bechdel Group, and more. She also has written over twenty plays for young audiences that have been produced at theatres around the country. She was in the inaugural class of the Rita and Burton M.F.A. in Playwriting at Hunter College where she studied under the inimitable Tina Howe. She was the winner of the 2025 Thomas Barbour Playwriting Award, and currently serves on the faculty of Baruch College and Fordham University where she teaches undergraduate courses in Journalism and graduate courses in Playwriting, Creative Dramatics, and Theatre for Youth www.hollyhepp-galvan.com
by John C. Davenport
In a Dallas barbershop in the 1960s, an elderly white woman has her first encounter with the Black shoeshine man she has always resented.
Director: Meg Gilbert
Seedubya — Eldred Brown
Mizhall — Lilian Moore
Eldred Brown (Seedubya) has been performing on Bay Area stages for more than 15 years, bringing energy and heart to every role. Favorite past performances include Santa in Elf the Musical, Lucien Smith in The Boys Next Door, Tom Robinson in To Kill a Mockingbird, and the ever-beloved talking (and singing) alien plant in Little Shop of Horrors—a role he’d happily reprise again and again. He also appeared as Mr. VanTassel in The Legend of Sleepy Hollow for three consecutive seasons, and most recently played Don Marshall in Happy Dale, the winning play of the 2023 Sarasota Players New Play Festival. Eldred is grateful for every opportunity to create live theatre and connect with audiences. (And, for the record: chocolate and mint do not belong together. Yes, he said it.)
Lilian Moore (Mizhall) retired last year after 30 years of teaching elementary school. She is delighted to be pursuing her passion for acting again! She performed with The Players Theater for 20 years in roles such as Belinda in Noises Off and Diana in Lend Me a Tenor. She performed at Lemon Bay as Suzy in Wait Until Dark and The Banyan Theatre as Chloe in My Old Lady. She has performed in numerous Ten Minute Play Festivals with Theatre Odyssey in addition to many film credits.
Meg Gilbert (director) is an NYC born and raised theater director, writer, educator, arts administrator, community organizer, project manager, and many-hat-wearer who relocated to Sarasota in 2017. With over a decade of experience in the professional theater, Meg is currently a producer for NYC-based Parity Productions, working to promote female, trans and gender expansive artists; teaches public speaking for Cornell University; is a teaching artist for the Van Wezel Performing Arts Hall and Florida Studio Theatre; and is the Social Media Manager for the League of Professional Theatre Women. Prior to that, she served as Literary Associate at Florida Studio Theatre, where she supported community outreach programs and New Play Development, managed the office on a day-to-day basis, as well as directing blackbox, TYA and staged reading productions. Meg was the Assistant Director for The Suffragist Project: Celebrating 100 Years of the Woman’s Right to Vote, a two-year bi-county artistic endeavor to bring programming on women’s rights to the Sarasota/Manatee community that reached thousands of participants.
John C. Davenport (playwright) is a career journalist and former stand-up comic who veered into playwriting, which he usually does while seated. He has had productions (mostly one-act comedies) in 26 states, London, Australia, Canada and Panama. His full-length plays have been produced in Chicago, Dallas, Seattle and Bremerton, Wash. His work has been included in one-act festivals at (among other places) the Estrogenius Festival in New York; Acme Theater in Maynard, Mass.; Santa Paula (Calif.) Theater Center; the Snowdance Festival in Racine, Wis.; Spokane (WA) Civic Theatre’s Playwrights Festival; and Theatre Three in Port Jefferson, N.Y. He is a member of the Dramatists Guild of America and Seattle Playwrights Circle and co-founder of Red Rover Theatre Company.
by Cary Pepper
Lawyer Roger Ellis comes to Mrs. Mendelson’s door with a document demanding she stop contacting her late husband Julius. Roger knows Mrs. Mendelson can’t be in contact with the dead—but why, each time he returns with another legal document, does she know more and more about his childhood?
Director: Yinoelle Colón
Mrs. Mendelson — Jan Wallace
Roger Ellis —Kelly Kirschner
Jan Wallace (Mrs. Mendelson) is an actress, playwright and director and is thrilled to be in another Theatre Odyssey production. She has acted, directed and written for many Theatre Odyssey Productions. As an actress she has worked off-Broadway and New York Regional theatres. Her favorite roles include her one-woman show, Shirley Valentine, Ida in The Cemetery Club and Dotty/Mrs. Clacket in Noises Off. Since moving to Sarasota, she has performed at the Asolo Rep, the Banyan Theatre, Venice Theatre, the Manatee Performing Arts Center and the Players Theater. She trained in London and New York.
Kelly Kirschner (Roger Ellis), a Sarasota native, first fell in love with the magic of theater as a 4th-grade student at Bay Haven Elementary School, walking to the historic Asolo Theatre to see A Christmas Carol. He is the former Vice President and Dean of Executive and Continuing Education at Eckerd College, where he led non-credit programming, including the globally recognized Leadership Development Institute, for the past thirteen years. A graduate of Georgetown University’s School of Foreign Service, Kirschner was head manager for the men’s basketball team and interned in the West Wing of the Clinton White House. A former US Peace Corps volunteer in Guatemala and a four-year City Commissioner in Sarasota, including a term as mayor, he currently serves on a number of boards of community organizations and is the proud father of two children, Bodhi and Selby.
Yinoelle Colón (director) is an actress, acting coach and director. She is pleased to have worked with Odyssey Theatre’s Ten-Minute Play Festivals for the past three years as an actress and director. She is excited to join the One-Act Play Festival. To many more!
Cary Pepper (playwright) has had work presented throughout the United States and internationally. Among his full-length plays, How It Works won the 2012 Ashland New Plays Festival and Cufflinked was a semifinalist for the 2014 festival. Among his one-act plays, The Walrus Said won the Religious Arts Guild Playwriting Competition; Small Things won the Tennessee Williams/New Orleans Literary Festival One Act Play Contest; Party Favors won the Goshen Peace Play Contest. Most recently, From the Hoot won the Playwrights First Award, Dolly Gets Her Shot became his third production by Drip Action Theatre Trail in their Arundel Festival (UK) presentation, House of the Holy Moment marked Cary’s fourth appearance in the Newmarket International Festival of One Act Plays (Canada), and What Do They Want? made him the first (and to date only) playwright to be included in The St. Louis Actors’ Studio’s LaBute New Theater Festival three times. Cary is a member of the Dramatists Guild, and a four-time contributor to Applause Books’ Best American Short Plays series.
by James Perry
A love-struck caveman seeks the help of an advanced AI to win over the woman of his dreams. When natural intelligence doesn’t always know what it needs, can artificial intelligence do any better?
Director: Michele Strauss
Ugg—Ren Pearson
Stacy—Aleah Colón-Alfonso
Liz—Sarah Mayper
Bot—Charlie Agurcia
Ren Pearson (Ugg) is a graduate from Ringling College with a BFA in directing for film. He has been involved both onstage and off the stage with Theatre Odyssey for many shows and hopes for many more to come. He is also the Artistic Director for the radio theatre project known as Gothic Library Productions, produced in association with Theatre Odyssey. He would like to thank his cats and his wonderful partner Sarah for her patience and support.
Aleah Colón-Alfonso (Stacy) is a student of the arts with a passion for science. She holds degrees in Biological Psychology, Neuroscience, and Theatre, and has been performing locally while preparing for graduate studies. Her love for the arts has taken her from Off-Broadway cabarets to musical performances on a moving trolley. Recent stage credits include Henriette in The Learned Ladies (Venice Theatre), Lucy in Happy Dale (The Sarasota Players), and Jenny in The Torch Bearers (Venice Theatre). When she’s not on stage you can find her whipping up custom cookies and cakes for AleahBakes.com
Sarah Mayper (Liz) is currently the Director of Choral Activities at Pine View School, and was previously seen as Eliza Doolittle in Venice Theatre’s production of My Fair Lady. This is her first production with Theatre Odyssey, and she is thrilled to share the stage with not only a talented and welcoming cast, but with her partner Ren Pearson.
Charlie Agurcia (Bot) is an experienced actor with a growing presence in Florida’s theater scene. He has played roles such as Biff Loman in Death of a Salesman at the Manatee Performing Arts Center, Caleb in The Spitfire Grill at Venice Theatre, and various characters in Miracle on 34th Street a Live Musical Radio Play at The Players Centre. This is Charlie’s third Theater Odyssey Festival, and each one keeps getting better.
Michele Strauss (director) is proud and honored to be directing once again for Theatre Odyssey. She believes you will enjoy this funny and thought provoking one-act. Michele is an award winning Director and Actress: she has directed over 45 plays and acted in close to 100. She is an International Cat Show Judge, is a movie and TV buff, is a major Star Trek fan, enjoys fishing, and loves animals. Michele is currently retired and lives in Sarasota with her husband Charlie, their two dogs Zeus and Bella, and their cat Felix.
James Perry (playwright) was born and raised in Lock Haven, Pennsylvania. He joined the military when he was 19 years old and has been traveling the world ever since. After retiring honorably from the United States Army in 2020, he began passionately pursuing an education in theatre arts—first earning an AA from Las Positas College, and later a BA in Theatre Arts from San Jose State University in 2024. He has since performed in a number of film and theatre productions throughout the Bay Area. While still new to playwriting, his work has received staged readings and productions at theatres across the United States in Vermont, Pennsylvania, North Carolina, California, Georgia, and Nebraska. More of his work can be found online at The New Play Exchange. James acknowledges that he is a privileged, middle-aged white male, but he is also a feminist, a disabled veteran, and a proud member of the LGBTQ+ community. He believes deeply in the power of theatre to reflect, question, and reshape the world, and advocates for diversity, equity, and inclusion both on stage and off.
Festival Production Manager — Don Walker
Production Stage Manager — Donna DeFant
Performance Stage Manager — AJ Trinci
Lights — Chris McVicker
Sound Design — Ren Pearson
Sound Operator — Lucy Manuel
Backstage Crew — Avery Cole, Kennedy Cole, Otto Bucholtz, Philippe Koenig
SPECIAL THANKS
The Sarasota Players
Season Presenter
Season Presenter
Season Presenter
Season Presenter
Season Presenter
Executive Producer
ADJUDICATORS
Jonathan Epstein
Teaching Faculty, FSU/Asolo Conservatory for Actor Training
Jon has performed on and Off-Broadway, in London’s West End and at dozens of regional theatres across the country, but is best known for his 25-year association as actor, director and teacher with Shakespeare & Company in Lenox, Mass. His roles with that company have included everything from kings to clowns. He was text and sonnet teacher in more than 30 of the company’s month-long workshops for professional actors. He has served as visiting professor in Theatre at MIT and in Rhetoric at Boston University School of Law and has led master classes in Shakespeare performance at Berkshire Theater Festival, Orlando Shakespeare Festival, The Intiman, Seattle Shakespeare Theatre, and Boston Theaterworks as well as at colleges and universities including Harvard, Cornell, Amherst, Dartmouth, Smith, Western Michigan and Wake Forest. His other performance credits include: Broadway/National Tour: (A Meeting by the River, Man of la Mancha, Dirty Dancing) American Repertory Theatre (Merchant of Venice, Paradise Lost, Phaedra, Picasso at the Lapin Agile), Berkshire Theatre Festival (Amadeus, Cuckoo’s Nest, Caretaker, Via Dolorosa, Rat in the Skull), The Shakespeare Theatre (Taming of the Shrew), Intiman (Cymbeline), Theatre for a New Audience (Merchant of Venice), Orlando Shakespeare Theater (King Lear, Titus Andronicus), The Young Vic (Faust).
Amanda Schlachter
Associate Professor of Theatre, State College of Florida
Amanda teaches acting, voice and diction, script analysis and stage movement at SCF and also directs two mainstage shows each year. She directed the premiers of The Manager by Douglas Gearhart and The Mantle by Jalex Scott at The Players Centre for the Performing Arts; she has also served as a coordinator of The Players New Playfest. Amanda was director and co-producer of Mythos, a reimagining of Greek Mythology, with the SCF Film Department. She performed in Thirst with Urbanite Theatre’s Spring Reading Series, and also appeared in KT Curran’s film Surviving Lunch. Amanda performed with American Stage for their virtual reading of Romeo and Juliet, and in the television pilot The Growing Garden with Nate Jacobs and Jerry Chambless. In addition to conducting podcast interviews for The Suncoast Culture Club, Amanda also works with Christine Alexander providing laughter workshops to multiple groups in the community. (To learn more or to book a workshop, go to Laugh to Feel Good.)
Gavin Hawk
Professor of Theatre, Eckerd College
Gavin has worked as an actor and director across the country. He has received the Kennedy Center American College Theatre Festival Meritorious Award for Excellence in Direction three times for his work at Eckerd College. Professional directing credits include Green Day’s American Idiot (winner of BroadwayWorld.com Tampa awards for Best Director of a Musical and Best Musical) and One Slight Hitch at American Stage; Cloud Nine, The Last Night of Ballyhoo, and Closetland at Jobsite Theater; Miracle on South Division Street, Good Egg, Congratulations, Joe, and Death and the Maiden at A Simple Theatre. Professional acting credits include The People Downstairs at Stageworks Theater; and roles at American Stage, Tectonic Theater Project (Miami), freeFall Theatre, Studio@620, California Repertory Company, The Huntington Theatre, Studio Arena and Pittsburgh Public Theater, and Soho Repertory.
THE VERNA SAFRAN PRIZE
Theatre Odyssey is honored to have received a substantial endowment from an anonymous donor honoring the memory of Sarasota resident Verna Safran, who passed away in 2017.
This generous donation will be used to fund the first place scholarship and prize money for all three of Theatre Odyssey’s annual playwriting festivals for many years to come and will be named “The Verna Safran Prize” in her honor.
Verna held a Masters of Fine Arts Degree in Dramatic Literature from Columbia University and was a member of the Dramatist Guild. Her play, Just Fooling, was a finalist in Theatre Odyssey’s 2014 Ten-Minute Play Festival. She also wrote A Wedding at the Brothers and Sisters Coffeehouse, which won the 2007 Best Play of the Year at Players Theatre of Sarasota and The Rogue’s Gallery, produced at Southampton Cultural Center. Her short play The Throne is included in the collection Ten Short Plays by Ten Top Playwrights.
A former high school English and history teacher, she also authored three successfully produced musical shows for children: The Legend of Paul Bunyan, Hiawatha, and The Prince and the Pauper.
In addition to her extensive writing career, Ms. Safran served on the board of the local chapter of the American Civil Liberties Union and was active in the Unitarian/Universalist Church of Sarasota.
320 minutes of insightful, fanciful and comic flights of imagination—ready for you to experience again!
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TEN-MINUTE PLAY FESTIVAL
VOLUME FIVE: 2022-2025
Complete scripts for 32 new plays, finalists at Theatre Odyssey’s annual Ten-Minute Play Festivals from 2022 to 2025: Bernard Yanelli, Bethany Dickens Assaf, Bruce Karp, Connie Schindewolf, Delaney Lockwood, Don Salvo, Donna Sorbello, Elaina Bayard, Elan David Garonzik, Eric Leventhal, Fredric Sirasky, Greg Burdick, Jake Pettingell, Jan Wallace, John J. Kelly, Keith Whalen, Ken Preuss, Lyle Landon, Marj O’Neill-Butler, Meryl Rachlin, Michael Anthony Mercado, Michelle Pascua, Paul J. Donnelly, Risa Lewak, Samara Siskind, Seva Anthony, Stephen Walkiewicz, Walter Thinnes. Performance rights for these individually copyrighted works are available directly from the authors.
