2026 One-Act Play Festival
The Festival will be presented October 2-4 at the Cook Theatre, FSU Center for Performing Arts in Sarasota.
Meet the Playwrights
A Change of Heart
Is a second chance a lifeline when it doesn’t feel like your life anymore? A heart transplant patient with strange cravings and desires seems a stranger to her fiancé and herself. A story about the struggle for self-acceptance and moving forward with the hand we’re dealt.
Arianna Rose is an award-winning playwright, musical theatre writer, and educator, produced in thirty-seven states and twelve countries. Awards: MAC Song of the Year, the York Theatre NEO. Best play awards: Theatre Odyssey, Midnight Sun Theatre, 4th Street Theatre, Town & Gown Theatre, Tree City Playhouse, Mixing It Up Productions, the Know Theatre, Studio 1 Theatre, Third Citizen Theatre, South Baldwin Theatre, Savage Wonder Theatre, Clocktower Theatre, M.T. Pockets Theatre. Participant: 2022 Kennedy Center Playwriting Intensive, 2022 William Inge Play Festival, 2019-2021 Miami-Dade Playwright Development Program. Two-time finalist, Edward Kleban Award for Lyricists & Librettists. Published by Applause Books, Smith & Kraus, Theatre Odyssey Publications, Ghostlight Publications. Instructor: “Writing the Short-form Play,” “Wordcraft: Lyric Writing for the Stage.” MFA, NYU Tisch Graduate Musical Theatre Writing Program; BA, Bucknell University; BMI-Lehman Engel Musical Theatre Writing Workshop. Member: ASCAP, LMDA, Maestra, New Play Exchange, South Florida Theatre League, The Dramatists Guild. www.ariannarose.net
Reasonable Doubt
As they wait to be selected for jury duty, Chuck and Barry discuss the state of the justice system and how the truth, the whole truth, and nothing but the truth can be an illusion.
Philip Middleton Williams is an award-winning playwright with over seventy plays to his name, ranging from one-minute pieces to full-length productions. His plays have garnered numerous honors, including finalist spots in the City Theatre National Award for Short Playwriting, the American Association of Community Theatres New Play Fests, and the Utah Shakespeare Festival Words Cubed New Play Program. All Together Now won first place in the 2016 Playgroup playwriting contest and was produced during The Willow Theatre’s 2017-2018 season in Boca Raton, Florida. Can’t Live Without You marked his off-Broadway debut in 2008 and was later produced by The Playgroup for their 2018-2019 season. Seven of his works are published and licensed through Next Stage Press. Home-Style Cooking at the Gateway Cafe was featured in The Best Ten-Minute Plays 2022 by Smith & Kraus, and monologues from his plays have been included in The Best Men’s Monologues for 2019, The Best Men’s and Women’s Stage Monologues 2023, and The Best Women’s and Men’s Stage Monologues 2024. His work has been performed at renowned venues and events, including the South Florida One-Minute Play Festivals, the Midwest Dramatists Conference, the William Inge Theatre Festival New Play Labs, Miami One-Acts Festivals, Short+Sweet Festival in Sydney, Australia, the Valdez Theatre Conference and many others across the U.S. and internationally. He is a lifetime member of the Dramatists Guild of America.
Sunday Sauce
Giancarlo has died. Anna and Emilia run to Tess’s side to help her through this difficult time. But Tess is amazingly calm. Is the make-up of a family blood? Bones? Pasta and opera? If you’re Italian – it probably is.
Claudia Haas — I have been privileged to work as a playwright for many years. As a freelancer, I have worked as a director, actor and teacher of theatre which has given me insight to how theatre works backstage, onstage and off the stage. I have created theatre in schools (including their gymnasiums and cafeterias), caves, nature centers and libraries. Theatre is everywhere. I have over fifty published plays which have seen over 1700 productions in every state in the U.S.A. as well as on five continents. (Still looking for Antarctica.) My plays have been popular in high school one-act play festival competitions and my ten-minutes are used regularly for forensics. My short plays (ten-minutes) are in numerous anthologies. I make my home in White Bear Lake, MN—home of the polar vortex, 10,000 lakes and the exquisite lady slipper orchid. There are cats on the keyboard, grown children nearby and an ever-supportive husband who supports my every endeavor and eats all my pasta dishes.
Waiting to Film Waiting for Godot
Two veteran actors wait on a set for filming to begin. They are eventually joined by a young woman, also waiting. As they wait, they converse about life, art, and the birds circling overhead.
Mathew Green is a Midwest-based playwright, director, and actor who has been creating theatre for roughly 30 years. His plays have been produced in New York, Chicago, and all over the US. He lives in Champaign, Illinois with his stage manager wife and four kids, and he is currently pursuing a Master’s degree in Theatre Studies at the University of Illinois.
Meet the Directors
Bob Trisolini (director) has a long history of producing, directing and choreographing shows for Broadway, Off-Broadway, cruise ships, theme parks, regional and community theaters as well as for corporate America. He was the founder and CEO of The West Bank Creative Inc.,a business theater agency in the metro New York City area. During his 23 years running the agency, he worked with such celebrities as Sammy Davis Jr., Rita Rudner, David Brenner, Beth Fowler, Ray Romano, Howie Mandell and the casts of many Broadway Shows. He was part of the creative and producing teams of the five-time Tony-nominated Broadway show Romance/Romance and the Drama Desk and Obie Award winner Olympus On My Mind. He directed six shows for Celebrity Cruise Lines and numerous shows for Walt Disney Entertainment, Disney Business Productions and Disney Special Events. At Busch Gardens Tampa Bay, he was show director for the development and opening of Rhino Rally and creative consultant for Critter Castaways. Bob was part of acting companies of Highlands Playhouse, Flat Rock Playhouse (North Carolina) and Asolo Rep.
Marcus Denard Johnson (director) currently serves as the Director of the Florida State University/Asolo Conservatory for Actor Training and Assistant Professor of Theatre. A sample of his directing credits include The African Company Present, Richard III (Titan Theatre Co.), The Color Purple the Musical (Hope Repertory Theatre), The Miser (Columbus State University), and Stick Fly (FSU/Asolo Conservatory). For 10 years Marcus served as a Resident Artist for Titan Theatre Company in New York City, later becoming Artistic Associate and Director of Titan’s Future Classics Festival. After leaving New York, Marcus became a part of the artistic leadership team of Hope Repertory Theatre in Holland, Michigan, spending his final year with Hope Rep as the Artistic Director. Marcus has taught acting courses at Columbus State University (Columbus, GA), Dean College (Franklin, MA), and Molloy University (Rockville Centre, NY). Marcus currently serves as an Executive Board member of Our Bar, Inc., a site-specific theatre company in New York City, and Shakespeare in Kalamazoo (Kalamazoo, MI). Marcus holds an MFA from the FSU/Asolo Conservatory, an MS in Adolescent Special Education from Hunter College, and a BA in Theatre from Morehouse College. He is a member of Actor’s Equity Association and a proud husband and father.
Ann Morrison (director) — An actor, singer, writer and director for 45 years, Ann has starred in original roles on Broadway (Merrily We Roll Along, LoveMusik, Children And Art); on London’s West End (Peg); Off Broadway (Goblin Market); and leading roles at regional theaters throughout the country. At the United Solo Festival in New York, she performed her plays Linda Lovely Goes to Broadway (2012 United Solo Award, “Best Actress”) and Word Painting: Soliloquies Around an Easel. As a cabaret artist, she has played in cabaret rooms across the US and in London at Zedel’s Crazy Coqs. Ann is Co-founder/Artistic Director of SaraSolo Productions. Ann has made more than a dozen recordings and recipient of the 2010 John Ringling Towers Fund Award, the Theatre World Award, Drama Desk Award Nomination, Drama-Logue Award, SAMMY Award, HANDY Award, Sarasota Magazine Award, Best Plays Citation, the 2020 Outstanding Contribution to Florida Professional Theatre, and 2023 BISTRO Award for her solo show Merrily From Center Stage. She plays herself in the documentary Best Worst Thing That Ever Could Have Happened. Ann has recently finished touring in the Broadway National Tour of Kimberly Akimbo starring as Kimberly.
Lee Gundersheimer (director) is a writer, actor and director and teacher who for many years was based in NYC. He is the author of numerous plays including Pas De Deux, winner Best Play, New American Play Festival on Theatre Row, and Incommunicado, which opened the 1998 New Federal Theatre season and was nominated for three Audelco awards. He directed Deb Margolin’s Three Seconds in the Key at PS122 (it went on to win the Kesselring Prize) and staged her play Why Cleaning Fails at Here and Dixon Place where he co-wrote (with Rae C. Wright) and directed The Moon in Vain. Lee was the former Producing Director at Century Center for the Performing Arts and former Artistic Director of Avalon Repertory Theatre. He was the Industry Liaison in the Department of Drama at NYU for ten years and is a lifetime member of the Actors Studio Playwrights and Directors Lab. He has directed or performed in over a hundred plays including fifteen productions at various theaters in his new Arts Coast of Florida home.
PREVIOUS FINALISTS
2025
BEST PLAY: SEEDUBYA AND MIZHALL by John C. Davenport – Seattle, WA
THE DISAPPEARING WOMAN by Holly Hepp-Galván – Astoria, NY
JUST ASKING by Cary Pepper – San Francisco, CA
LOCK IT DOWN by John Kelly – Deland, FL
PRIMITIVE INTELLIGENCE by James Perry – Manteca, CA
2022
BEST PLAY: THE MOCKINGBIRD’S NEST by Craig Bailey – Shelburn, VT
SHELL GAME by Meg Hanna-Tominaga – Spartanburg, SC
DEEP FREEZE by James C. Ferguson – Plainville, MA
WHAT ARE YOU LOOKING AT? by Philip J. Kaplan – Brooklyn, NY
2021
BEST PLAY: THAT KISS by DC Cathro – Chicago, IL
WINDOW WASHER by Marlene Shyer – New York, NY
CENSUS by Susan Miller – New York, NY
ME TALKING 2 ME by Shoshannah Boray – Burlington, MD
2019
BEST PLAY: IMMUREMENT by David L. Williams – Bellefonte, PA
GROWL by J. Lois Diamond – New York NY
IVY WALLS by Karen Cecilia – Brooklyn, NY
PROVENANCE by Ian Patrick Williams – Studio City, CA
2018
BEST PLAY: TAGGED by Jim Moss – Tampa FL
MOTHERLESS CHILD by Peggy Aultman – Covington LA
RAW FISH by Emma Mercier – Pleasant Hill, CA
SOUNDS FROM THE MERRY-GO-ROUND by Stephen Stewart – Sugar Land, TX














